Notes From The Program Director | Week of August 9th, 2024

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Notes From The Program Director

Week of August 9th, 2024

Melissa Tamminga

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New this week, we've got a film I've been hoping to book ever since I saw it in January at the Sundance Film Festival, where it won the U.S. Dramatic Audience Award and the Special Jury Prize for Best Ensemble Cast: Dìdi (弟弟), from writer-director Sean Wang. Wang, who is just 29 years old, was also nominated for an Oscar this past year for his short documentary film "Nǎi Nai & Wài Pó" (“Grandma & Grandma”), a film about his two grandmas, and Dìdi, his first feature, indicates he is force to be reckoned with. 

Dìdi was six years in the making and comes from a very personal place for Wang as the narrative is loosely based on his own life: a coming of age story set in 2008 about a 14 year old boy, Chris, growing up as a second generation kid in a Taiwanese immigrant family and struggling to find his place both among his peers and within his family. 

The film is evocative and funny, not shying away from the most adolescent of embarrassments and the passionate rebellions of a boy trying to figure the world and himself out, but it's poignant and tender, too, depicting a wonderfully realistic relationship between siblings, Chris and his older sister, and between Chris and his mother, played by a marvelous Joan Chen (attention Twin Peaks fans!), who struggles to understand her son. 

The film feels adjacent to documentaries like Bing Liu's brilliant Minding the Gap (a coming of age story featuring skateboarding) and recent hits like Everything Everywhere All at Once, with its intergenerational conflicts in another immigrant family. But it's fully its own film and as beautifully resonant as the best films about growing up can be. It’s also, quite simply, one of the year’s best. 









Cary Grant is back, this time with Rosalind Russell and Ralph Bellamy, in another of the most iconic screwball comedies of all time, His Girl Friday, a part of our continuing Screwball Sundays series. There were few directors like Howard Hawks for directing comedy, and this cinematic gem of fast-talking wit perhaps surpasses even the genius of Hawk’s earlier film Bringing Up Baby. Here, Grant plays an editor and Russell plays a reporter and Grant’s ex-wife, who’s about to leave her job to marry another man (Bellamy).  Hijinks ensue when Grant, in an effort to win back his best reporter and his ex, proposes they cover one last story together. It’s a brilliant, high-energy film with the laughs coming a mile a minute, making it, truly, one of the all-time greats. 

Join us Sunday at 11 am for mimosas and screwball hilarity! 



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