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Week of July 12th, 2024
Melissa Tamminga
July 12-18, 2024
Hi all!
This week, Kinds of Kindness and the wonderfully weird stories of Yorgos Lanthimos continue for one last week, and the 80’s-tastic MaXXXine, the third film in Ti West’s terrific movie lovers’ horror trilogy, also makes its final run. We’ll be saying goodbye to both films on July 18, so snatch the chance to see both on the big screen before they’re gone.
In addition to Kinds of Kindness and MaXXXine, we’ve got three special events lined up for you: The riveting 1962 classic Eyes Without a Face is this month’s staff-curated Third Eye selection from projectionist Miguel Garduno Munoz. Miguel writes, “Can a horror film be poetic? “When I first watched this film, I went into it knowing very little about it other than it is considered a masterpiece of horror cinema. I came out of that screening underwhelmed, but felt that perhaps on second viewing, with my expectations set correctly, I would therefore enjoy it more. I was correct. “Eyes Without a Face is a dark fairy tale masquerading as a mad scientist horror film. Horror is not just about sudden gasps and frivolous jerks. It is about making the viewer live and experience the horror endured by the protagonist. Only such an intrinsic and intricately construed horror story will leave an indelible impression and disconcert the mind of the viewer like no other. This is a masterpiece not only of realistic horror but also of subtle and sublime beauty. “Director George Franju crafts a film that is rich in wistful atmosphere. The film, despite having moments of quiet brutality, is equally gothic and charming. The film’s almost medieval style musical score also points to the film being more a fairy tale than a horror, whose scores are typically more abrasive or droning. To paint this film with the horror film brush would be doing it a disservice, as Franju creates something more understated and fantastical.” Join us on Saturday at 10 pm for this fantastical horror fairy tale! |
Cary Grant and Katharine Hepburn, in one of the most iconic screwball comedies of all time, are lighting up our screen this month in Bringing Up Baby, a part of our Screwball Sundays series. Hepburn, in a role specifically written for her, has rarely been more fast-talking in her hilariously anarchic character as heiress Susan Vance, who scoffs at worldly logic and social mores. And Grant, as the hapless and serious-minded paleontologist, who needs Susan’s aunt’s money to complete his Brontosaurus project and who becomes entangled in Susan’s antics, has never been funnier as the straight-man doomed to look ridiculous. It’s a dizzying ride of quick wit, delightfully absurd antics, ingenious comic timing, and a cast of supporting characters that are almost equal in joy to watch as Grant and Hepburn. Walter Catlett, a veteran vaudeville actor who coached Hepburn in her role as Susan and who plays the befuddled town constable, is a particular delight.
Join us Sunday at 11 am for our monthly mimosas and screwball hilarity!
Last, another comedy, but this time from the modern era, Groundhog Day hits our screens this Thursday at 8:15 pm as a part of our weekly Nine from the 90’ssummer series. Starring Bill Murray and Andie MacDowell and a whole host of wonderful supporting actors, including Stephen Tobolowsky and a young Michael Shannon, Groundhog Day, perhaps ironically, is an infinitely rewatchable film. It’s certainly also one of the most quoted films in my house due to its witty script and dialogue particularly perfectly suited to Murray’s hilariously misanthropic character, Phil, but its warm heart and thought-provoking central idea offer resonances beyond mere light comedy. It’s a film that takes the ideas of A Christmas Carol and It’s a Wonderful Life and transforms them into a uniquely powerful -- but still beautifully comic -- ingenious new story. It is, deservedly, a modern classic.
See you at the movies, friends!
Melissa
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