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Week of March 23rd, 2023
Melissa Tamminga
Hello, friends!
This week, Inside (which has turned out to be interestingly divisive!) and The Quiet Girl close out their final days with us, and they are joined by a wonderful new documentary: Turn Every Page.
It's certainly possible that my own 20 years of teaching college writing perfectly primed me to fall in love with this film about legendary literary editor Robert Gottlieb and equally legendary writer Robert Caro, but I absolutely ate it up. Every single minute of it. And while my favorite part of the film--Gottlieb and Caro's passionate, longstanding argument about the proper use of semicolons -- may not be everyone's, Turn Every Page is one of those engrossing, humorous, and irresistibly winsome docs about fascinating people, and it will especially delight anyone who loves books and who rejoices in the intellectual, emotional, and political impact books can have and in the communities that form around them. Directed, quite charmingly personably, by Robert Gottlieb's daughter, Lizzie Gottlieb (who had to cajole both her father and Robert Caro into being in the film at all), Turn Every Page traces the stunning accomplishments of both Gottlieb and Caro and explores the significance of their vibrant relationship and, more generally, of the often intense and warmly vital relationship between all writers and editors. Gottlieb has been the editor for such literary publishing giants as Simon & Schuster and Alfred A. Knopf and he was also editor, at one point, of The New Yorker. He was the editor for such writers as Toni Morrison, Joseph Heller (whose Catch-22Gottlieb first recognized as great), John Cheever, Doris Lessing, Salman Rushdie, John le Carre, Ray Bradbury, Bob Dylan, Paul Simon, and Michael Crichton. And it is, quite simply, pure joy to hear him speak of his work with such immense talents. Caro, as a journalist and writer, is equally captivating, and his first book, The Power Broker, a biography of Robert Moses, who was responsible for the structure of the city of New York (and, thus, of its power differentials), took the political and reading world by storm, and has since spent his life writing about Lyndon B. Johnson, the national figure who, arguably, like Robert Moses, changed the shape of power, but on the broader national scale. The film also includes wonderful interviews with the likes of Ethan Hawke, Conan O'Brien, and many major figures whose lives and minds have been shaken and challenged by the collective work of Caro and Gottlieb, and their testimonies to the work of these two are a reminder of just how interconnected we all are when we are immersed in the world of reading. There are few things as communally satisfying as talking with others who love the same book (unless it’s perhaps a shared love of cinema!), and this film celebrates and feeds that satisfaction beautifully. |
We also have two very special film events this week: the last film in our March Tanaka Kinuyo series, The Wandering Princess, Wednesday, March 29, and the next film in our Rocket Sci Fi series, The Creature Walks Among Us, Sunday, March 26.
The Wandering Princess, a historical epic and Tanaka’s first film in color and in Cinemascope, will be introduced to us by Dr. Emi Bushelle, Associate Professor in the Department of History at WWU, and I am eager to hear her insights as we engage with the film. Her research focuses on early modern Japanese religion and thought, with a special interest in the seventeenth-to-nineteenth-century intellectual movement known as Kokugaku, or National Learning, and she is currently working on a book project, Worldly Language, Sacred Texts: Buddhist Philology and the Rise of National Learning in Early Modern Japan. It has been a rich month, celebrating Tanaka’s extraordinary achievements in cinema, and while I am sorry it’s coming to a close, I could not be more grateful for this opportunity we’ve had to see these films on the big screen. And my most heartfelt thanks goes to Jeff Purdue for programming the series in the first place, as well as for introducing several films and arranging for the guest speakers we’ve had.
The Creature Walks Among Us, introduced for us by our intrepid Rocket Sci Fi programmer, Steve Meyers, is the final film of three “creature” films, which began with Creature from the Black Lagoon. It’s the film, for some, that features the most sympathetic iteration of the Gill-man. Here, we again have our team of scientists hunting the creature, and, after a fire burns him, they try an experimental medical procedure, which makes the creature a bit more human, but also less at home in his natural habitat. As Lang Thompson for TCM points out, the change results in a “trapped-between-two-worlds alienation since he's no longer able to breathe underwater” and this “makes him a much more clearly sympathetic character than previously.” The best Universal monster movies often play with the tension between what is monstrous and what is sympathetic, leading to reflections on what it means to be human, and so it’s a pleasure to have just such a monster movie on our screens this week.
See you at the movies, friends!
Melissa
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